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  • Prince Rainier of Monaco (C-L) and Princess Grace come down a Lausanne street followed by residents. The couple just arrived there for a few days of vacations shortly after the birth of Princess Caroline (Photo credit should read DSK/AFP/Getty Images).

    Inside the handbag

    More than just a bag

    The Hermès travel bag (pictured here in white) was made world-famous by Grace Kelly. The actress and Princess of Monaco carried the bag so often that it was named after her in 1956. Since then the "Kelly Bag" has achieved cult status. It's part of an exhibition in the Bavarian National Museum about handbags over the past 500 years of Europe's cultural history.

  • A silk pouch from the 16th century.

    Inside the handbag

    Pockets full of gold

    The history of handbags begins in the 16th century when bags had small pouches to separate different currencies. That was necessary because every region and big city had its own coins. Women kept their craft materials and personal belongings in work bags made from embroidered silk fitted to a basket for stability.

  • A briefcase belonging to Maximilian, Count von Montgelas (1759-1838).

    Inside the handbag

    Detailed work

    Handbag research isn't easy, says Johannes Pietsch, a specialist in costume history and curator of the exhibition in Munich. Lots of different sources have to be compared in order to establish the period and purpose for which the bags were used. As was standard for the aristocracy, the name of the owner was printed on the bag - in this case Maximilian, Count von Montgelas (1759-1838).

  • A silk embroidered 17th century wallet used or transporting letters.

    Inside the handbag

    Ornate and practical

    The exhibition includes objects like paintings and sculptures depicting the function of different bags and how they were carried. The considerable influence technological developments had on fashion in the 17th century is also made clear. On account of the expansion of the postal network, flat letter-sized wallets were made with multiple pockets made from leather or silk and often embroidered.

  • A rural women's handbag made from leather.

    Inside the handbag

    Fashion revolution

    Following the French Revolution, the hooped skirts that women hid their purses under were done away with. Women began to wear narrow dresses and carried bags in their hands. The handle bags of the 18th and 19th centuries look surprisingly modern. The reticule or "Pompadour," a delicate pouch carried with a chain around the wrist, was also popular.

  • A Hugo Boss handbag for men.

    Inside the handbag

    Accessories for men

    Until the French Revolution, men carried handbags just like women. Men's fashion then became slicker and handbags became something just for women. Today, along with laptop cases and backpacks, handbags for men are also back in fashion, Pietsch says: "Men recognize that it's practical to be able to carry things with them. Men's handbags could even become fashion accessories."

  • Marlene Dietrich pictured on set in 1940.

    Inside the handbag

    Style statement

    In the 19th century, modes of travel changed with the railway network. People needed a large, stable bag since suitcases were stored in luggage wagons and women preferred to keep their handbags with them. Marlene Dietrich was a famous handbag carrier and recognized that they could also be used to make a statement. Many of her handbags are on display in the exhibition.

  • A 1970s handbag made from laminated magazine covers.

    Inside the handbag

    Getting creative

    In the 1970s it was fashionable to carry a bag that looked like a rolled-up magazine with handles. They were made from the laminated covers of magazines. "These bags were very popular. When women see this bag in the exhibition they often recall owning one themselves," Pietsch says.

  • A silk handbag from Christian Lacroix.

    Inside the handbag

    Collectors' items

    Handbags are supposed to be functional, but there are also extravagant designer models and one-of-a-kind editions made by fashion houses like Christian Dior, Cartier and Christian Lacroix. Some handbags have also become collector's items. Princess Gloria von Thurn and Taxis owns a large collection of handbags, including this silk bag from Christian Lacroix.

  • A Chanel 2.55 handbag.

    Inside the handbag

    Little black bag

    In February 1955, Coco Chanel launched one of the most famous handbag models of all time - the Chanel 2.55. The original version is pictured here. Whether famed, ordinary, minimal or extravagant, the exhibition shows that handbags encase little pieces of history.

  • Catherine, Duchess of Cambridge walks to her seat prior to the Show Jumping Eventing Equestrian on Day 4 of the London 2012 Olympic Games at Greenwich Park on July 31, 2012 in London, England. (Photo by Pascal Le Segretain/Getty Images).

    Inside the handbag

    Looking good

    The British Duchess of Cambridge also carries a handbag with a history. As the successor to letter wallets, the clutch is a small handbag without handles carried in the hand or under one arm. In the 1920s, the clutch suited the ideal of the androgynous, slim woman and is currently enjoying a fashion revival.


    Author: Amrei Vogel / hw | Editor : Kate Müser

  • Musical beginnings

    Wagner: the man behind the music

    Musical beginnings

    The Red and White Lion was the name of an inn in a row of residences in Leipzig where Richard Wagner was born on May 22, 1813. He was the ninth child of Carl Friedrich and Johanna Rosine Wagner. The inn no longer exists, but the St. Thomas Church certainly does. It's where Richard was christened and got lessons a few years later from the cantor and music teacher Thomas Weinlig.

  • A child of war

    Wagner: the man behind the music

    A child of war

    In the year Wagner was born, Prussia, Austria, Russia, Great Britain and Sweden formed an alliance against Napoleon, the French occupier. In October 1813 at the Battle of Leipzig, Napoleon suffered a defeat, memorialized today by a monument in Leipzig. Some 125,000 soldiers died, and one victim of the typhus outbreak that immediately followed was Richard Wagner's father, Friedrich.

  • Theater - day in, day out

    Wagner: the man behind the music

    Theater - day in, day out

    In August 1814, Wagner's mother married the actor and poet Ludwig Geyer. He was the best friend of her husband and is rumored to have been Richard's real father. In the family's new home of Dresden, Geyer taught the Wagner children to love the theater. At age four, Richard had his first (but silent) role on stage.

  • Awakening

    Wagner: the man behind the music

    Awakening

    In April 1829, Richard Wagner watched the young Wilhelmine Schröder-Devrient as Leonore in Beethoven's opera "Fidelio." He was fascinated. The prima donna didn't just sing beautifully, she was also a gifted actress - a rare combination at the time. The young man discovered what he wanted to do: write a world-famous opera with Wilhelmine Schröder-Devrient in the lead role.

  • A new era

    Wagner: the man behind the music

    A new era

    Wagner's enthusiasm for music was immense, but he was even hungrier for life experience. He admired the ideas of the young generation of Germans and the literature in vogue. He also developed a passion for games of chance and for bars and duels. As a student, Richard Wagner postured as an anarchist and rebelled against bourgeois society.

  • On the road

    Wagner: the man behind the music

    On the road

    Richard Wagner was a self-taught author and had a natural talent for conducting. He studied music theory and piano, but many early compositions have unfortunately been lost. Wagner destroyed some of them himself. But he quickly found some initial success and jobs as well - as choral director in Würzburg and as music director in Magdeburg and Königsberg.

  • Stormy life

    Wagner: the man behind the music

    Stormy life

    Wagner moved to Königsberg for a woman: actress Minna Planer. In November 1836, wedding bells rang for the pair. Soon thereafter, the theater went bankrupt. In debt, Wagner fled to Riga, where he took charge of music in the court. He racked up more debt and fled again - this time taking to stormy seas on a sailboat for London. The stuff of opera!

  • Years in Paris

    Wagner: the man behind the music

    Years in Paris

    From London, the young couple traveled to Paris, remaining there for a few years. Richard Wagner got to know poet Heinrich Heine and poked around in the popular theaters and opera houses of the city. During this time, he also composed "The Flying Dutchman" and "Rienzi," an opera about a failed revolutionary.

  • Friendship with Liszt

    Wagner: the man behind the music

    Friendship with Liszt

    "Rienzi" had its premiere in Dresden and was a huge hit - finally a success for Wagner. He settled in the city, became a music director and theorized about reforming opera. Wagner wanted it to move away from associations with luxury and pleasure and towards progressive and democratic aims. He likely shared his ideas with composer and pianist Franz Liszt, his good friend in nearby Weimar.

  • Royal sponsorship

    Wagner: the man behind the music

    Royal sponsorship

    It's thanks to King Ludwig II of Bavaria that Wagner ultimately landed in Bayreuth. Unconcerned by the fact that Richard Wagner had taken part in the May Uprising in Dresden in 1848 and was a fugitive, the monarch took the composer under his wing. Meanwhile, "The Ring of the Nibelung," a 25-year project, was taking final form.

  • Asylum in Switzerland

    Wagner: the man behind the music

    Asylum in Switzerland

    The Bavarian king brought Wagner to Munich, but the locals didn't take to him, considering him too reform-minded, ungrateful and undemocratic. Ludwig II remained Wagner's friend but sent him on his way. A country residence offered asylum, where Friedrich Nietzsche was also a regular guest. Initially, the philosopher celebrated Wagner's service to German culture, but would later mock him.

  • Second marriage

    Wagner: the man behind the music

    Second marriage

    In 1853, Richard Wagner met Franz Liszt's daughter Cosima when she was just 15 years old. By 1870, both had a marriage behind them and multiple children. They then married in Lucerne. Shortly thereafter, Wagner selected Bayreuth as the site of his own opera festival house. The cornerstone was laid on May 22, 1872, and a year later the Wagner family moved into the Wahnfried residence.

  • The Green Hill

    Wagner: the man behind the music

    The Green Hill

    August 1876 marked the first festival summer in Bayreuth with a major social event - the premiere of "The Ring of the Nibelung." Kaiser Wilhelm I came, along with his entourage and pretty much everyone with a prominent name. Wagner was now world famous, but also criticized for his regal style and polemics.

  • Death in Venice

    Wagner: the man behind the music

    Death in Venice

    "Triste, Triste, Triste. Wagner è morto!" mourned the Italian opera composer Giuseppe Verdi after learning that Richard Wagner had died on February 13, 1883 in the Palazzo Vendramin-Calergi in Venice. Wagner's embalmed corpse was returned to Bayreuth and buried in a garden near Villa Wahnfried, where his remains still rest today.


    Author: Silke Bartlik / gsw | Editor : Kate Müser

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