Drag queen Conchita Wurst won the Eurovision Song Contest - the victory for Austria in the competition for almost 50 years. But it is also a victory for all of Europe, says DW's Nadja Scholz.
Political statements are supposed to be taboo at the Eurovision Song Contest. At least officially. But sometimes it doesn't take a direct speech to convey messages. This year's winner Conchita Wurst made a statement for tolerance with her performance alone. Her vote was a referendum for the freedom of sexual orientation and against homophobia.
The audience of this year's European spectacle made an unambiguous statement. The slim, shapely diva with her glittering ball gown - and full beard - ran away with an incredible 290 points. Her outward appearance is as fascinating as it was confusing - a well-calculated provocation.
By creating persona Conchita Wurst, the 25-year-old Thomas Neuwirth has made his personal concerns into a social issue. He is gay himself, and suffered discrimination in his own youth. After the win, the bearded diva said of her victory: "It showed me that there are people out there who want to go into the future, and not step back and think in the past." That is a statement with a lot of politics behind it - and it asks the question of which values should be strengthened in Europe.
In any case, a pan-European competition where nations give each other points via telephone voting can never be totally without politics. With events in Ukraine in the background, it is clear how difficult it is to separate artistic performance from the political situation. The Russian entrants produced a solid performance, but the Copenhagen arena was filled with boos whenever they were awarded any points.
On top of that, Conchita Wurst's appearance was in itself a provocation for Russia, where her participation triggered heated debates. Russian politicians and clergymen described her performance as "propaganda for homosexuality and depravity" in advance. Last year, Russia intensified its laws against gay people. But the voting also showed that Russia awarded the Austrian entrant five of a possible 12 points - not all Russians are homophobic, it seems, not by a long way.
Being different and looking different - these are traditional ingredients for success in Eurovision. But this time it was about more. Conchita Wurst's song asked the question: how open is European society? The vote gave us the answer: more open than many think.
Many German schools don't cater to foreign students. But one school in the city of Halle is trying to change that with special lessons meant to help school-age Syrian refugees learn German and continue their education.
Sometimes there are 20 protesters, sometimes there are several hundred. Rallies outside refugee shelters aren't common in Germany, but local refugee councils are worried aggression towards asylum seekers is on the rise.
Lufthansa and Air Berlin have announced that they are resuming flights to Israel. The German carriers had suspended service earlier in the week after a rocket fired by Islamist militants struck near Tel Aviv's airport.
A premiere not soon to be forgotten: In its fourth and final year, stage director Sebastian Baumgarten's "Tannhäuser" had an unattractive set and a technical glitch, but superb singing and an impressive conducting debut.