This year's uprisings in the Middle East have sparked interest in the Arab Film Festival Berlin, which closes Thursday. Cinema buffs looked for explanations to the Arab Spring, and found a good deal of optimism.
After the Arab Spring, people feel strong again
"Ben Ali wanted to know everything about everyone, down to the last detail," says a protagonist in the Tunisian documentary "No More Fear," which featured this week at the Arab Film Festival Berlin.
The Tunisian president's way of finding out everything was to instill fear, to such an extent that friends and family members no longer knew whether they could trust each other. People were arrested on trumped-up charges, accused of being terrorists or of endangering the state.
Information about the events was posted online by bloggers and amateur journalists
She laughs as she remembers her month-long hunger strike to protest against the detention of her husband, Hamma Hammami, the secretary general of the worker's communist party. He in turn smiles as he looks back on his most recent stint in jail in January when he feared he would be left behind chained to the bed as the guards took to their heels.
Although their stories are told with humor, there is a lingering sadness that so many of their activist friends did not live to see the day Ben Ali fell, the day there was "no more fear."
Mohamed Boazizi provided the spark for the Arab Revolution when he set himself on fire out of despair. Zine El Abidine Ben Ali visited him in hospital shortly before being toppled from power.
"We had a feeling something big was going to happen because there was so much despair, but we had not imagined this revolution," she said at the festival in Berlin.
Ramsis' ironic take in the film on everything that was forbidden in Egypt was finally finished on the day the protests erupted on Cairo's Tahrir Square. "What began as an act of protest against the government has become a document since the revolution," she told Deutsche Welle.
In her film, Amal Ramsis deplores the amount of checkpoints and barriers in Egypt
The emergency law, which was enacted in 1958 and has been in place almost non-stop ever since, extended police powers and legalized censorship, effectively allowing the authorities to do anything in the name of state security, including battering a blogger to death in an Internet cafe for refusing to show his ID.
One of the protestors' key demands was that the law be lifted, but this was not met. "We had hoped we could change the system but now we realize the military just wants to change the faces of the ex-regime," Ramsis said. "There is another law against strikes. The emergency law has been extended. There is a new law saying you can't criticize the military. We have the same situation, the same forbidden things. Some 13,000 people have been jailed since Mubarak's fall."
However, there is one big difference, she added, and that is that the people feel much stronger.
"I am optimistic," said the filmmaker. "Millions of people are optimistic, even if we are facing a very difficult moment. We know it's a transition period and we have to be patient and it will be very long."
Normal human beings
It took 18 days of protests for Mubarak to finally step down
The compilation of 10 stories that were "heard, experienced or imagined" by 10 Egyptian filmmakers, who were asked in January to make a short film without a budget and without remuneration, offers a more rounded and aesthetic interpretation of the Arab Spring than the documentaries at the Berlin festival.
The stories range from the way a group of patients in a psychiatric ward reacts to the "events," to a young girl who dyes her hair and joins the protests, a young man who follows the uprisings on Facebook but doesn't get personally involved, or to people who profit from the chaos.
The segment entitled "Curfew" captures the madness and uncertainty that reigned during that month of January in an ironic, touching manner. Filmmaker Sherif El Bendary told Deutsche Welle he had felt honored to be part of the project, but was not entirely sure what angle to take at first.
"I thought about human beings, normal beings, and the impact of the revolution on their normal lives," he said. "That's why I came up with the very human situation of a grandfather and his grandson not being able to get home because of the curfew and the fact that the military have blocked all the roads."
Today, the filmmakers and the rest of the world are uncertain as to the long-term impact of the uprisings on the average citizens, but there seems to be a long-awaited sense of optimism.
At the opening of the Arab Film Festival Berlin, Director Issam Haddad welcomed UNESCO's admittance of Palestine as an official member, saying it was a "wonderful step towards peace in the region. We hope it will no longer be the setting for killing and destruction, and that instead there will be development and reconstruction and people will have more to laugh about."
Above all, the hope is that there really will be no more fear.
Author: Anne Thomas
Editor: Kate Bowen